life is a journey

TWENTIETH CENTURY FOX

THE SIMPSONS

EPISODE TABF02

“Covercraft”

AS-BROADCAST SCRIPT

(WITH ANNOTATIONS)

THE SIMPSONS Page 2

Ep.TABF02 “Covercraft” As-Broadcast Script

THE SIMPSONS

“COVERCRAFT"

OPENING SEQUENCE

MAIN TITLES

(HOMER PARKS THE CAR IN FRONT OF THE SIMPSONS HOUSE. BART SKATEBOARDS OVER THE CAR. LISA RIDES HER BIKE PAST HOMER. MARGE DRIVES HER CAR INTO HOMER, PUSHING HIM THROUGH TO THE LIVING ROOM.)

HOMER: D’oh! (grunts)

(THE SIMPSONS ALL WALK TO THE COUCH WHILE LOOKING AT THEIR CELLPHONES. THE SIMPSONS BUMP INTO EACH OTHER AND CONTINUE TO USE THEIR PHONES ON THE FLOOR.)

HOMER: (grunts)

EXT. MOE’S-DAY

(BARNEY SLEEPS OUTSIDE. MOE BRINGS OUT TRASH. TOOT BRINGS A BOX OUT AND PUTS IT IN MOE’S DUMPSTER.)

BARNEY: (snoring)(groans)

SIGN: PROPERTY OF MOE’S TAVERN

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Ep.TABF02 “Covercraft” As-Broadcast Script Prepared

TOOT: (humming)

MOE: Well, if ain't my next-door neighbor, King Toot.

TOOT: Moe.

MOE: How many times I got to tell you not to throw your trash in my Dumpster?

(Dumpster: trademarked name for a large garbage container used by businesses and apartment complexes)

TOOT: Oh, come on, Szyslak. I got to make space in the store for my new side business— a tanning salon that secretly has cameras in the beds, which feeds into my Web site, www.tancams.com. That is registered.

MOE: Yeah, sounds great. Maybe then you could afford to rent your own Dumpster.

TOOT: I like my current deal. Free. Of. Charge.

(TOOT DROPS A HARMONICA INTO THE DUMPSTER. TOOT AND MOE WRESTLE ON THE GROUND.)

BOTH: (grunting)

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Ep. TABF02 “Covercraft” As-Broadcast Script

MOE: I’ll eat your hair!

TOOT: You call that a testicle kick?

(WIGGUM PULLS UP IN HIS POLICE CAR)

WIGGUM: All right, you two, break it up.

(break it up: stop fighting)

TOOT: Drive on, asphalt cowboy, or I'll squeeze his brain out like an edamame.

(asphalt cowboy: police officer)

WIGGUM: Eh, uh, a what?

TOOT: Those beans you eat before your sushi comes.

WIGGUM: Oh, salt peas. I call them salt peas.

TOOT: Look, Officer, after 20 years of being neighbors, tempers sometimes flare up. Moe's a good guy.

(TOOT AND MOE SHAKE HANDS)

MOE: No, no, no, it's my fault. I'm a hothead. I ain't got no beef with you, Toot. (whispering) You better stay out of my Dumpster.

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Ep. TABF02 “Covercraft” As-Broadcast Script

(hothead: a person who is impetuous or who easily becomes angry and violent)

(beef: issue/argument)

TOOT: I’ve also been stealing the catalogs out of your mailbox.

(INSTRUMENTS FLY OUT OF TOOT’S STORE WINDOW AS TOOT AND MOE CONTINUE TO FIGHT)

(punching, instruments clattering)

TOOT AND MOE: (grunting)

(MOE PUTS TOOT IN A TANNING BED AND LOCKS HIM IN)

TOOT: (os)(screaming)

MOE: It’s my dumpster!

TOOT: (os)(screaming continues)

(SCENE SHIFTS TO LATER AS MOE AND TOOT ARE HANDCUFFED AND PUT INTO POLICE CARS)

BOTH: (growling)

EXT. SPRINGFIELD-DAY

(HOMER AND LISA WALK DOWN THE STREET TO KING TOOT’S MUSIC STORE)

HOMER: And that's the terrifying tale of how the Quebec Nordiques became… the Colorado Avalanche.

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Ep. TABF02 “Covercraft” As-Broadcast Script

(Quebec Nordiques: former professional ice hockey team based in Quebec City, Quebec)

(Colorado Avalanche: professional ice hockey team based in Denver, Colorado)

LISA: Oh, no! King Toot's is closed! Dad, you're going to have to take me to… the big box music store.

(big box: a retail store that occupies an enormous amount of physical space and offers a variety of products to its customers)

EXT. SHOPPING CENTER-DAY

(HOMER AND LISA WALK TO THE GUITAR CENTRAL STORE)

SIGNS: SPRAWL MART

STILL NOT A PARODY OF WALMART

SIGN: JUST LINENS, ETC.

(Just Linens, Etc.: reference to the home goods retail store Linens N Things)

SIGN: TOYS B THIS / BABIES B THIS

(Toys B This, Babies B This: reference to the specialty retail stores Toys R Us and Babies R Us)

SIGN: PETS AND LAMPS

LISA: (os) Look at all these monstrosities.

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Ep.TABF02 “Covercraft” As-Broadcast Script

HOMER: (os) Lisa, how many times have I told you to bow down to our corporate overlords?

LISA: (os)(groans)

SIGN: GUITAR CENTRAL

WHERE DREAMS BECOME PURCHASES

INT. GUITAR CENTRAL-DAY

(HOMER AND LISA ENTER THE STORE AND LOOK AROUND)

HOMER AND LISA: Hmm.

HOMER: (os) It’s like some kind of guitar central.

SIGN: WOODWINDS

LISA: Hmm. (groans)

HOMER: Hmm. Hmm.

EMPLOYEE: Midlife crisis at 12 o’clock. Mm-hmm.

(midlife crisis: an emotional crisis of identity and self-confidence that can occur in early middle age)

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Ep. TABF02 “Covercraft” As-Broadcast Script

STIG: Okay, let me guess, dude. You’re an axman; you're looking to score a new blade.

(axman: guitar player)

(score: buy)

(blade: guitar)

HOMER: Stig. (chuckles) You've got a name that's not a name.

STIG: So what's your poison, bro? Les Paul? Straight up Gibson? No, no, no, classic Strat, am I right?

(poison: favorite brand)

(Les Paul, Gibson, Strat: guitar brands)

HOMER: Oh, I don't have what it takes to play guitar. I mean, I'm no Joe Walsh in the brains department.

(Joe Walsh: American singer, songwriter, composer, multi-instrumentalist, and record producer)

STIG: (chuckles) Who is? Look, you don't have the weak, womanly fingers of a guitar princess. You, my friend, (os) have the muscular stumps of a bass man. (on camera) Try this on.

(STIG GIVES HOMER A BASS AND HOMER PLAYS A NOTE)

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Ep.TABF02 “Covercraft” As-Broadcast Script

HOMER: What the rock?

STIG: (chuckles) Now that was a lick.

(lick: a strong pattern or phrase in music)

HOMER: I did a lick?

STIG: Keep them coming.

(HOMER PLAYS THE BASS)

STIG (CONT’D): Yes, now bob your head. (os) Bob it, bob it, bob it.

(HOMER BOBS HIS HEAD)

STIG (CONT’D): Dude, usually it takes years to learn such neck confidence. Now check this out.

(dude: informal form of address)

(STIG PLAYS GUITAR WITH HOMER’S BASS)

HOMER: Oh, my god. I'm amazing.

STIG: Dude, you're already one of the greatest bass players of all time.

(SCENE SHIFTS TO HOMER AND STIG AT THE REGISTER. HOMER HAS A CART FULL OF EQUIPMENT.)

STIG (CONT’D): Okay. Now... Oh, how are you set for stage lights?

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Ep. TABF02 “Covercraft” As-Broadcast Script

HOMER: I’m not set at all.

STIG: Ooh, what about gels?

HOMER: This is embarrassing to admit, Stig, but I haven't even thought about gels.

INT. SIMPSONS HOUSE-DAY

(MARGE CHANGES MAGGIE’S DIAPER. HOMER PLAYS HIS BASS. MAGGIE SLIDES OFF THE TABLE. MARGE CATCHES MAGGIE.)

MARGE: (humming)(gasps)

(BART AND MILHOUSE PLAY STACKO. HOMER PLAYS HIS BASS. A BOOKSHELF FALLS ON MILHOUSE.)

SIGN: STACKO: A GAME OF STACKING

MILHOUSE: (screams)

(HOMER PLAYS HIS BASS IN THE GARAGE WHILE LISA WATCHES. BART AND MARGE ENTER THE GARAGE.)

MARGE: What is that racket?!

HOMER: Music! Beautiful music!

MARGE: What?!

(HOMER STOPS PLAYING)

HOMER: Beautiful music, baby.

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MARGE: The bass guitar? This doesn't really seem like you.

HOMER: Sure it is. You know I've always loved laying things down. Grooves are just the latest.

(groove: a musical theme or beat)

MARGE: (groans)

HOMER: I feel a powerful connection to the history of famous bass players. Like what's-his-name from The Who. Or that guy from Led Zeppelin who wasn't Page, Plant or Bonham. Those are the only two I know for sure.

(The Who: an English rock band formed in 1964)

(Led Zeppelin: former English rock band)

(Page, Plant, Bonham: members of Led Zeppelin)

LISA: It’s so cool to have another musician in the family!

(cool: attractive, impressive)

HOMER: Oh, yeah, and you know what the great thing is about music? It's so easy.

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Ep. TABF02 “Covercraft” As-Broadcast Script

LISA: Uh, well, to truly master an instrument you'll need years of...

HOMER: So easy.

(LATER, MARGE WALKS THROUGH THE HOUSE AS HOMER PLAYS HIS BASS. MARGE CATCHES PHOTOS THAT FALL DOWN FROM THE WALLS.)

MARGE: (gasping)

INT. CAR-DAY

(HOMER PLAYS BASS WHILE DRIVING. A POLICE CAR DRIVES NEXT TO HIM. HOMER DRIVES AWAY.)

(siren wailing)

HOMER: (gasps)

INT. SIMPSONS HOUSE-DAY

(MARGE OPENS THE FRONT DOOR. HOMER STANDS WITH A POLICE OFFICER AND HIS HANDCUFFED TO HIS BASS.)

MARGE: (groans)

(LATER, MARGE AND HOMER ARE DRESSED UP. HOMER PLAYS HIS BASS ON THE BED AS MARGE PUTS ON HER EARRINGS.)

MARGE: (gasps)

Oh!

(THE SIMPSONS EAT AT THE DINNER TABLE. HOMER PLAYS BASS. THE FOOD SLIDES OFF THE TABLE AND SUNDAES SLIDE TO BART AND LISA.)

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LISA: Ooh!

MARGE: (groans)

INT. ‘ZERZ-NIGHT

(MARGE SITS AT A TABLE WITH OTHER WOMEN)

SIGN: ‘ZERZ AMERICA’S ALL-APPETIZER RESTAURANT

(‘zerz: shortened form of the word appetizers)

MARGE: (os) I can't take it. (on camera) All Homer does is play that stupid bass. Doink, doink, doink, doink, doink, doink, doink.

LUANN: You’re not alone, Marge.

BERNICE: A man gets older, has a career, a few kids, and suddenly there's a hole in his life that can only be filled by jamming. For my Julius, it was the drums.

(jamming: playing a musical instrument)

HELEN: Timothy has that awful guitar.

LUANN: Kirk just loves his keyboards.

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MARGE: I never knew so many women suffered from extramarital jamming. Oh, my god, oh, my god, oh, my god. What if all the dads jammed together in a dad band?!

HELEN: That way they would play their horrible music in one garage at a time. Marge, you're a genius!

BERNICE: This menu was right— good things do happen at 'Zerz.

SINGER: (vo) ♫ 'Zerz! ♫

TEXT: ‘ZERZ

TRY OUR NEW ENTREE-SIZED ‘ZERZ!

INT. SIMPSON’S HOUSE-DAY

(HOMER, LOVEJOY, HIBBERT, AND KIRK PLAY THEIR INSTRUMENTS IN THE GARAGE)

HOMER: I don't know, guys. I'm not sure I'm feeling this. The bass is kind of known for being a solo instrument.

KIRK: What were our wives thinking? We probably don't even like the same tunes.

HIBBERT: On the count of three, everyone say their favorite kind of music. One, two, three...

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ALL: Hard-driving rock! (gasping)

HIBBERT: Dads, let's jam!

(THE MEN PLAY A ROCK SONG)

KIRK: Garage bands rule!

HOMER: (gasps) I almost forgot the most important thing.

SIGN: GELS

(HOMER FLIPS GEL SWITCHES AND LIGHTS SHINE ON THE BAND)

TEXT: ROCK LIGHT GELS

FEEL THE TINT!!!

END OF ACT I

ACT II

INT. LOVEJOY’S HOUSE-DAY

(THE BAND PLAYS IN LOVEJOY’S GARAGE)

HOMER: Great practice, guys. What do you say we give it another six hours, then call it a day?

APU: (os) Excuse me, but (on camera) my wife told me about your get-out-of-the-house band. And, uh, perhaps you need a singer?

(HOMER GOES TO APU)

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HOMER: Oh, yeah, Apu, I'm sure you're a great singer. But the balance of the band is really delicate right now, and we're not really looking for a world music vibe. No disrespect to world music. I love world music.

APU: No, no, I will sing the classic power ballad "Hopin' for a Dream" by my favorite band from the 1980s, Sungazer.

(APU HOLDS UP A SUNGAZER ALBUM AND GOES TO THE MICROPHONE)

APU (CONT’D): (clears throat) Okay, here we go. ♫ When I close my eyes, I wish that I could fantasize, pull a dream right out of the air. Take a chance, turn it into a prayer. ♫

HOMER: That sounds nothing like terrible, terrible world music.

HIBBERT: Why is your voice different when you sing?

APU: It is because of all the years I spent at the Kwik-E-Mart...

(SCENE SHIFTS TO A FLASHBACK OF APU WORKING AT THE KWIK-E-MART AS ROCK MUSIC PLAYS)

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APU (CONT’D): (vo) …where classic rock anthems were piped in on a never-ending loop. The endless repetition drove many clerks to madness.

(piped in: transmitted)

(ANOTHER EMPLOYEE SNIFFS KITTY LITTER)

APU (CONT’D): (vo) The only way to maintain my sanity was to sing along until it seemed like our voices were one. (on camera) ♫ Hopin' for a dream ♫

BAND: ♫ Hopin' ♫

APU: ♫ Focus like a laser beam, I'll keep fighting till I want something great. Hopin' for a dream. ♫

(THE BAND QUITS PLAYING)

HOMER: Guys, are you feeling this? Are you feeling this?

KIRK: I’m feeling it.

HIBBERT: I’m definitely feeling it.

LOVEJOY: I felt something earlier, but I was afraid to bring it up.

APU: I think we all felt something.

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HOMER: We are more than just a garage band desperate to do anything other than hang out with our families. We are now a cover band. And we shall be called… Covercraft. Because we play covers and this is our craft.

(cover band: a musical group specializing in playing songs made famous by other bands)

HIBBERT: And it sounds like Hovercraft.

(Hovercraft: Classically inspired Seattle-based 90s rock band)

HOMER: That was not my intent. Okay, Covercraft, hands in. Cover...

ALL: Craft!

(THE MEN CHEER. VARIOUS VIEWS OF NEWSPAPER CLIPPINGS APPEAR.)

HEADLINE: ‘ZERZ FILES FOR CHAPTER 11 BANKRUPTCY PROTECTION

CONCEPT DEEPLY FLAWED

HEADLINE: NAME: COVERCRAFT

MEMBERS: HOMER SIMPSON - BASS

APU NAHASAPEEMAPETILON - LEAD VOCALS

TIMOTHY LOVEJOY - GUITAR

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KIRK VAN HOUTEN - KEYBOARDS & TAMBOURINE

JULIUS HIBBERT - DRUMS

GENRE: HARD-DRIVING ROCK

SONGS: COVERS

EXT. SPRINGFIELD-DAY

(HOMER STABLES FLIERS TO A POLE)

SIGN: THE SPRINGFIELD CABBAGE FESTIVAL

PRESENTS COVERCRAFT

HOMER: R-O-K-C.

EXT. CABBAGE FESTIVAL-DAY

(GUEST PLAY GAMES, RIDE BUMPER CARS, AND EAT. THE BAND PRACTICES

THEIR INSTRUMENTS.)

SIGN: SPRINGFIELD CABBAGE FESTIVAL

HOMER: Okay, this crowd is about to experience the special magic of the cover band, the thrill of live music without the fear of hearing anything new. Hmm?

APU: (sighs)

HOMER: Apu, what's wrong?

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APU: What if, what if I am no good? This is the Cabbage Festival, man. I-I don't know if I can face that crowd!

HOMER: (groans) Buddy, buddy. Think of it this way: you're not singing in front of all those people, you're alone at the Kwik-E-Mart in the middle of the night. You just wear this onstage, and everything will be fine.

(HOMER HANDS APU HIS KWIK-E-MART UNIFORM)

APU: (gasps) My uniform!

(LATER, THE BAND SETS UP ON STAGE. APU’S VIEW OF THE CROWD CHANGES THE PEOPLE INTO VARIOUS FOOD AND DRINKS. THE BAND PLAYS A SONG.)

TEXT: APU / DUFF / NACHOS / BUZZ

APU (CONT’D): All alone at the Kwik-E-Mart. ♫ When I close my eyes, I wish that I could fantasize, pull a dream right out of the air ♫

(SCENE SHIFTS TO THE BAND PLAYING AT VARIOUS LOCATIONS)

SIGNS: THE SAUERKRAUT FESTIVAL / SPRINGFIELD POLICEMAN’S BALL / PURPLE CABBAGE FESTIVAL / KIMCHI FESTIVAL / “DON’T TEXT AND DRIVE” SCHOOL DANCE

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/ THE SAVOY CABBAGE FESTIVAL WELCOMES COVERCRAFT

APU (CONT’D): ♫ Take a chance. Turn it into a prayer. Girl, you know I want to be the guy, with a hunger burning deep inside. Tonight I wish upon a falling star, to discover what my yearnings are... ♫

EXT. SPRINGFIELD-DAY

(THE SIMPSONS WALK THROUGH SPRINGFIELD)

BART: Everyone loves you, Dad. You could become a famous rock star!

HOMER: Well, son, I do have the talent. My mind is full of ideas for great songs I could write… down the names of and then cover. But then I remember: I'm just a regular guy, jamming with my buds.

MARGE: Oh, sweetie. This band has brought out the best in you.

LISA: Yeah, you really get that it's all about the music.

HOMER: Yep. It's all about the music. And it would take a pretty unforeseen

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development to change that. Pretty unforeseen…

EXT/INT. SUNGAZER STUDIOS-DAY

SIGN: HOLLYWOOD

SIGN: SUNGAZER STUDIOS

(SUNGAZER WATCHES A VIDEO OF COVERCRAFT)

MONITOR: BEST OF THE CABBAGEFEST

MAN: Gentlemen, I think we've found what we're looking for.

INT. SIMPSONS HOUSE-DAY

(THE BAND PLAYS IN THE GARAGE)

HOMER: (os) Guys, I really need your honesty here. (on camera) At the Squidport Senior Jamboree… was I too in the pocket?

(in the pocket: being precisely on time with the groove/rhythm of a song)

(SUNGAZER OPENS THE GARAGE DOOR AND ENTERS)

COVERCRAFT: (os)(gasp)

KIRK: (os) Freddy Freeman, Shredder Stevens, Nick Delacourt and Peter

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D’Abbruzio-- you're four of the five guys from Sungazer!

HIBBERT: But where's your lead singer, Grant LeDavid?

NICK: Uh, he passed away.

HOMER: How?

(NICK SPEAKS TO HOMER)

NICK: (whispering)

HOMER: What kind of erotic asphyxiation?

NICK: (whispering)

HOMER: Oh…

PETER: Apu, you're the only man on the entire Internet who's got the pure Sungazer sound. Will you be our new lead singer and join us on our stadium tour?

COVERCRAFT: Uh… Oh! Ooh.

(HOMER GOES TO APU)

HOMER: I think I can answer for Apu. He's flattered, but the small-time success of Covercraft is all that any of us have ever wanted.

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APU: Uh, actually, I...

HOMER: Apu has a rich life here in Springfield: a store full of great products, a lovely him-type wife, and eight super kids: Anoop, Sandeep, Nabendu, Gheet, Pria, Uma, Poonam, Sashi…

(rich: fulfilling)

APU: Shut your mouth, I want to do it! I want to do it! I want to be a singer for a real rock band!

SHREDDER STEVENS: Sun...

ALL: …gazer!

EXT. SIMPSONS HOUSE-DAY

(APU GETS ONTO THE SUNGAZER TOUR BUS WITH THE BAND. COVERCRAFT WAVES GOODBYE.)

KIRK: Gotta say, I'm kind of jealous of Apu getting a break like that.

(getting a break: having a moment of luck)

HOMER: Not me. I'm nothing but happy that our friend is headed for fame and fortune.

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(A HELICOPTER TAKES OFF FROM THE TOP OF THE TOUR BUS. APU SPEAKS TO THE COVERCRAFT OUT THE WINDOW.)

APU: Tonight we play Las Vegas— and the theme of the casino is circus! Circus! Ha!

(THE HELICOPTER FLIES AWAY)

HOMER: (whimpers) I want his fame and fortune so much! Why must the Lords of Rock be so cruel?!

(IMAGES OF ROCK STARS JOHN LENNON, JIMI HENDRIX, JIM MORRISON, AND SAMMY HAGAR APPEAR IN THE CLOUDS)

ROCK STARS: (laughing)

HOMER: Sammy Hagar? You're not dead.

(Sammy Hagar: American rock vocalist, guitarist, songwriter, and musician)

(SCENE SHIFTS TO SAMMY HAGAR ON AN ISLAND. A WAITER GIVES HIM THE HEIMLICH MANEUVER.)

SAMMY: Damn it! I told you those jalapeno poppers had too much breading!

WAITER: Sorry, Senor Hagar.

SAMMY: Nah, nah, nah, it's cool, man. I went to rock star heaven. And there was this great back patio with this

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sweet fire pit. If you had the right wristband-- which I did. (laughs)

END OF ACT II

ACT III

INT. NEWS STUDIO-DAY

(KENT REPORTS. VARIOUS VIEWS OF APU SINGING FOR SUNGAZER.)

KENT: News story in aisle three? Local clerk, (vo) Apu Nahasapeemapetilon, is a dead ringer for a dead singer.

TEXT: APU NAHASAPEEMAPETILON

KENT(CONT’D): He’s living the rock star dream as

front man for '80s chart-toppers Sungazer on their Last Final Hell Re-Freezes Over Ultimate Good-bye For Serious This Time (on camera) Never Again Part Two of Question Mark Tour.

(dead ringer: a person that seems exactly like someone or something else)

INT. SIMPSONS HOUSE-DAY

(THE SIMPSONS SIT ON THE COUCH AND WATCH TV)

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KENT: Apu and the band appeared (os) on Saturday Night Live as the punch line in a game show sketch.

(Saturday Night Live: an American late-night live television sketch comedy and variety show)

(sketch: a short comedy piece, or skit)

BART: What’s a game show?

HOMER: Something you make sketches about.

KENT: (os) It looks like Apu won't be playing (on camera) the Cabbage Festival ever again.

LABEL: SPRINGFIELD CABBAGE FESTIVAL COLESLAW

(HOMER EATS CABBAGE AND THROWS IT AWAY)

LISA: Dad, you shouldn't be jealous of Apu. Remember, it's all about the music.

HOMER: I’m not jealous. I'm envious. Jealousy is when you worry someone will take what you have. Envy is wanting what someone else has. What I feel is envy.

(LISA CHECKS A DICTIONARY)

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LISA: Hmm. Wow, he's right.

(HOMER STANDS)

HOMER: You know what? Apu leaving is the best thing that ever happened to this band. We're gonna be like Genesis after Peter Gabriel left.

(Genesis: British rock band formed in 1967)

(Peter Gabriel: English singer-songwriter)

BART: You mean more popular but not as good?

HOMER: Phil Collins-era Genesis is not as good, huh? "No Reply at All," "Land of Confusion,” "Throwing it All Away," "Illegal Alien,” "I Can't Dance," and I'm sure I don't need to mention… "Invisible Touch”!

(Phil Collins: English singer, songwriter)

Hmph!

(HOMER WALKS AWAY)

INT. SIMPSONS HOUSE-NIGHT

(COVERCRAFT PLAYS A SONG)

HOMER: (grunts)

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HIBBERT: You know, we really could use a new lead singer.

KIRK: You know, I've been known to sing a little.

HOMER: What? So you can also get famous and bail on us? You're out of the band!

LOVEJOY: Well, you can't just kick him out.

HOMER: Oh, so you're sticking up for Yoko here? Looks like I've got another Yoko on my hands.

(Yoko: Japanese multimedia artist and singer, frequently blamed for the breakup of the Beatles rock band)

HIBBERT: How can there be two Yokos?

(HOMER POINTS AT ALL THE BAND MEMBERS)

HOMER: Yoko! Yoko! Yoko! Yoko! Yoko! All you Yokos are out of the band!

COVERCRAFT: (grumbling)

(THE BAND MEMBERS PACK UP AND LEAVE. LATER, HOMER PLAYS BASS ALONE. MARGE GOES TO HOMER.)

MARGE: Are you okay?

HOMER: Do I sound okay?

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MARGE: You sound great! Your licks are really... juicy.

HOMER: They’re not juicy. My licks are dry. Dry and scratchy like a cat's tongue.

MARGE: You didn't join a band to become famous like in Almost Famous. You loved playing music with your friends. That was enough to make you happy.

(Almost Famous: 2000 American coming of age comedy)

HOMER: Well, it's not enough anymore. When something great happens to one person, everyone else's life gets a little worse. Look it up, it's called physics.

(MARGE HOLDS UP TICKETS AND PASSES TO HOMER)

MARGE: Apu is a good man. He sent over front row tickets and backstage passes to his show at the Costington Center.

HOMER: Oh, you mean he generously invited us to come watch him be a rock star?

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MARGE: Stop feeling sorry for yourself. Your friend had a wonderful thing happen to him, and you are coming with us to share in his talent.

HOMER: I’ll never have a per diem.

(per diem: daily allowance)

MARGE: You don't know what a per diem is.

HOMER: Still want one.

EXT. COSTINGTON CENTER-NIGHT

(HOMER PULLS UP TO THE PARKING LOT AND SHOWS HIS PASS. HOMER DRIVES INTO THE STADIUM. THE SIMPSONS GET OUT OF THE CAR AND ARE DRIVEN TO THE FRONT ROW.)

BILLBOARD: SUNGAZER

HOMER: Hmph. Hmph. Hmph. Apu wouldn't be able to sing a note if I didn't help him get over his stage fright with his Kwik-E-Mart shirt. (gasps) Backstage pass, you just became a payback rage pass.

(HOMER SHOWS HIS PASS TO A SECURITY GUARD AND IS LED BACKSTAGE. HOMER SNEAKS THROUGH THE HALLS AND ENTERS APU’S DRESSING ROOM.)

HOMER (CONT’D): Look at all this rock star dressing room stuff. What a sellout. Cheese

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plate… oh, sorry, cubed cheese plate. Lemon tea, probably for his throat.

(HOMER OPENS THE CLOSET DOOR)

HOMER (CONT’D): Mm-hmm! Let's see how he performs in front of all those people without his magic-people-performing-in-front-of shirt.

(HOMER TAKES APU’S SHIRT. APU ENTERS THE DRESSING ROOM WITH SUNGAZER. HOMER HIDES IN THE CLOSET.)

HOMER: (gasps)

APU: But, Mr. Shredder, you promised me after we played my hometown I could have a day off.

SHREDDER STEVENS: I also promised I'd kick heroin. Hmm?

APU: But the tour is so hard on my family. My octuplets are being raised by roadies and bodyguards. (os) This is not proper.

(roadie: technicians and support personnel who travel with a band on tour)

PETER: Look, Apu. For 25 years we wasted money on women, drugs and guitars

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with live fish inside. And now we want to keep it going.

FREDDY: You signed a contract for a three-year, 57-country tour at union scale— no per diem.

HOMER: (gasps softly)

FREDDY: You’re in the band.

(SUNGAZER EXITS. APU GOES TO THE CLOSET.)

APU: Oh, well, I guess it's show time. (gasps) Homer?

HOMER: I’m sorry, Apu. I thought you were living your dream life, so naturally I wanted to ruin it. But now I know things stink, so I'm okay with it.

APU: Oh, what is the point? I am trapped like a Kwik-E-Mart hot dog on a roller.

HOMER: Kwik-E-Mart hot dog, eh?

(SCENE SHIFTS TO THE KWIK-E-MART)

MAN: You want every hot dog in the store? Every one? Okay…

(THE MAN TAKES ALL THE HOT DOGS FROM THE KWIK-E-MART. THE MAN BRINGS THE HOT DOGS TO SUNGAZER.)

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SUNGAZER: Yeah! Yeah. Oh! Yeah!

(SCENE SHIFTS BACK TO THE STADIUM. THE SIMPSONS WAIT IN THEIR SEATS.)

FORUM ANNOUNCER: (vo) Ladies and gentlemen, Tucks Medicated Pads presents… Sungazer!

CROWD: (cheering) Yeah! All right!

(APU WALKS ON STAGE ALONE)

APU: Uh, people? I am sorry to report that all the original members of the band have been struck down by a mysterious case of hot dog poisoning.

CROWD: (groaning)

APU: Rather than refund your money or reschedule the show, we have a surprise for you. Get ready to rock with a group that is truly all about the music-- Covercraft!

(COVERCRAFT TAKES THE STAGE AND PLAYS MUSIC)

APU (CONT’D): ♫ Hopin' for a dream ♫

COVERCRAFT: ♫ Hopin' ♫

APU: ♫ Focus like a laser beam. I'll keep fighting, till I want something

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great. Hopin' for a dream. Hopin' for a dream ♫

CROWD: (cheering)

COVERCRAFT: ♫ Hopin' ♫

(VARIOUS VIEWS: HOVERCRAFT PLAYS, SUNGAZER SITS IN THEIR DRESSING ROOM WITH THE HOT DOGS)

SING ON COMPUTER: CRIME SCENE FORENSICS

(WIGGUM CHECKS THE HOT DOGS FOR EVIDENCE, WIGGUM TAKES HOMER AND APU OFF STAGE, SUNGAZER PLAYS, STIG TEACHES GUITAR, APU AND HOMER SING IN A CELL)

APU: ♫ To someday, somehow have a goal, I'll keep fighting till I want something great. I'm hopin' for a dream ♫

SINGERS: ♫ Hopin', hopin', hopin' ♫

APU: ♫ Hopin' for a dream. Hopin’, Dreams are great or so it seems, if I never find one I guess that's okay ♫

HOMER AND APU: ♫ I'm hopin' for a dream... ♫

SINGERS: ♫ Hopin', hopin', hopin' ♫

APU: (vo) ♫ Hopin' for a dream, oh... ♫

THE END

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INT. PRISON CELL-NIGHT

(SAMMY HAGAR SPEAKS WITH HOMER, APU, MOE, AND TOOT)

SAMMY: So there I am, on Easter Island, and the heads ask me to play them a song. I say, "Why me, heads? You've heard the music of the universe itself.” And they say, “Sammy, your stuff rocks just a little harder.” That's when I wake up. I'm in the Springfield Elementary parking lot, doing a buck fifty-five in my Ferrari 512 Boxer. I was cornering so hard, I blacked out from the Gs, man. They say I ran over the groundskeeper. Probably get life in prison. But I got a plan to escape, using only this harmonica and some guitar picks with my face on ‘em. Who's with me on this? (laughing)

(Easter Island: Polynesian island in the southeastern Pacific Ocean famous for its 887 extant monumental statues)

(buck fifty-five: 155 miles per hour)

(cornering: turning)

(Gs: g-force, with the g coming from gravitational-- a measurement of acceleration.)

LOGOS

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MAIN TITLE CREDITS

Created By

MATT GROENING

Developed By

JAMES L. BROOKS

MATT GROENING

SAM SIMON

Executive Producer

JOHN FRINK

Co-Executive Producer

KEVIN CURRAN

Co-Executive Producer

J. STEWART BURNS

Co-Executive Producer

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MICHAEL PRICE

Co-Executive Producer

BILL ODENKIRK

Co-Executive Producer

MARC WILMORE

Co-Executive Producer

JOEL H. COHEN

Co-Executive Producer

ROB LAZEBNIK

Co-Executive Producer

JEFF WESTBROOK

Co-Executive Producer

BRIAN KELLEY

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Supervising Producer

LARINA JEAN ADAMSON

Consulting Producer

DAN GREANEY

Consulting Producer

TIM LONG

Consulting Producer

CAROLYN OMINE

Producers

TOM GAMMILL

MAX PROSS

Producer

MIKE SCULLY

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Producer

DAVID MIRKIN

Producer

MIKE REISS

Consulting Producer

DAVID SILVERMAN

Supervising Director

MIKE B. ANDERSON

Produced by

RICHARD RAYNIS

Produced by

BONITA PIETILA

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Produced by

DENISE SIRKOT

Produced by

RICHARD SAKAI

Written by

MATT SELMAN

Directed by

STEVEN DEAN MOORE

END CREDITS

Executive Producer

MATT SELMAN

AL JEAN

Executive Producers

JAMES L. BROOKS

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MATT GROENING

SAM SIMON

Starring

DAN CASTELLANETA

JULIE KAVNER

NANCY CARTWRIGHT

YEARDLEY SMITH

HANK AZARIA

and

HARRY SHEARER

Special Guest Voice

WILL FORTE

SAMMY HAGAR

Also Starring

PAMELA HAYDEN

TRESS MACNEILLE

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CHRIS EDGERLY

ARON MICHAEL MANDEROSIAN

ROBERT J. MANDEROSIAN

MAGGIE ROSWELL

MATTHEW SWEET

Animation Producers

TOM KLEIN

JASPREET DHILLON

ANDREA ROMERO

Story Editor

JON KERN

Post Production Co-Producer

DOMINIQUE BRAUD

Animation Co-Producer

RICHARD K. CHUNG

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Associate Producers

FELICIA NALIVANSKY-CAPLAN

ALEXANDER DUKE

BRIAN J. KAUFMAN

Theme by

DANNY ELFMAN

Music by

ALF CLAUSEN

“HOPIN’ FOR A DREAM”

Lyrics by

MATT SELMAN

& MATTHEW SWEET

Music by

MATTHEW SWEET

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Performed by

MATTHEW SWEET

& HEAVY YOUNG HEATHENS

Additional Score and Garage Band Cues:

Written and Performed by

MATTHEW SWEET

Original Casting by

BONITA PIETILA

Editors

MICHAEL BRIDGE

DON BARROZO

Production Coordinator

JESSE D. MILLER

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Dialogue Sound Editors

BOBBY MACKSTON

NORM MACLEOD

Music Editing

CHRIS LEDESMA, M.P.S.E.

Sound Effects Editor

TRAVIS POWERS

Re-Recording Mixers

MARK LINDEN, C.A.S.

TARA A. PAUL, C.A.S.

Production Mixer

DAVID BETANCOURT

Sound Recordist

CHRISTINE SIROIS

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Music Scoring Mixer

RICK RICCIO

Script Supervisor

LOUISE JAFFE

Production Accountant

SUSAN LORENZANA

Post Production Audio Facility

SONY PICTURES STUDIO

Post Production Facility

TECHNICOLOR CREATIVE SERVICES

Presented in

DOLBY SURROUND

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Assistant to Mr. Brooks

LISA WALDER

Assistant To Mr. Groening

N. VYOLET DIAZ

Assistant to Mr. Jean

JOE CLABBY

Assistants to the Producers

JANE BECKER

DANIEL FURLONG

BENJAMIN MORSE

ROGER OUELLETTE

CAIT RAFT

ISABELLE REDMAN

NICK TSCHETTER

Animation Produced by

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FILM ROMAN

a STARZ COMPANY

Overseas Production by

AKOM PRODUCTION CO.

Overseas Animation Director

NELSON SHIN

Assistant Director

PETE “KID FLASH” GOMEZ

Lead Animation Timer

RICHARD GASPARIAN

Additional Timers

SAM IM

LARRY SMITH

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Second Unit Director

LANCE KRAMER

Retake Director K.C. JOHNSON

Supervising Storyboard Director

MATTHEW SCHOFIELD

Storyboard

MICHAEL MARCANTEL

STEVEN DEAN MOORE

RALPH SOSA

Storyboard Revisions

JOHN ACHENBACH

LUIS ESCOBAR

Animatic Layout

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LIZ CLIMO

LEJON DOUROUX

JEANNE ERICKSON

DAVY LAUTERBACH

GRANT LEE

TOM MADRID, JR.

JAMES MARQUEZ

Animatic Editor

TAYLOR ALLEN

Background Design

LYNNA BLANKENSHIP

SEAN COONS

TJ KIM

HUGH MacDONALD

JEFFREY A. MERTZ

DEBBIE PETERSON

CHARLES RAGINS

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DEAN SCAMMAHORN

LANCE WILDER

Character Design

DALE HENDRICKSON

ERIC S. KEYES

KEVIN M. NEWMAN

TOMMY TEJEDA

JOE WACK

MATT GROENING

SAM SIMON

Prop Design

BRENT M. BOWEN

DARREL BOWEN

TREVOR JOHNSON

JOHN KRAUSE

KEVIN MOORE

TOMMY TEJEDA

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JEFFERSON R. WEEKLEY

Lead Character Layout

JENNIFER MOELLER

OSCAR PANGESTU

ALEX QUE

HERMAN SHARAF

Character Layout

GREG CHECKETTS

CAROLINE CRUIKSHANK

MANNY DeGUZMAN

JESS ESPANOLA

SOOAN KIM

ERIC KOENIG

KA MOON SONG

Lead Background Layout

GERALD CLIFFORD REY

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Background Layout

DANIEL CHIU

RALPH DELGADO

LEASA EPPS-EISELE

JABU HENDERSON

HEEJIN KIM

JOHN LIU

IAN WILCOX

CG Artist

BRENT M. BOWEN

FX Layout

AL HOLTER

JOHN MacFARLANE

Color Design Director

DIMA MALANITCHEV

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Color Design Supervisor

KAREN BAUER

Color Design

ELI BALSER

ANNE LEGGE

AMY RYCHLICK

Assistant Color Design

MIKE BATTLE

ROBERT STONE

Animation Checkers

WILLIAM BEMILLER

ESTHER H. LEE

Digital Retakes

STEVE MILLS

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BETH S. MORRIS

RICK MOSER

KRISTINA PACE

Scene Planner

ERIKA ISABEL VEGA

Lip Sync

ROBYN ANDERSON

Track Reader

LAURIE WETZLER

Assistant Editors

KURTIS KUNSAK

STEVEN FAHEY

Animation Associate Producers

PETER GAVE

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MICHAEL G. MAHAN

REBECCA TOTMAN

Animation Production Managers

DEREK HIGGS

Animation Production Supervisor

MEGHAN SHORT

Animation Production Accountant

WILL ANDERSON

Animation Production Lead Coordinators

ETHAN OGILBY

BRANDON MICHAEL SPEAR

Animation Production Coordinators

EDU BLACK

ROBERT BRUNETTE

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ASHLEY B COOPER

NIKKI ISORDIA

JAMES McKINNIE

HELIODORO SALVATIERRA

BRITTNEY ANNE VASQUEZ

ANGELA WIXTROM

Animation Digital Production Assistant

DANIEL VEGA

Animation Production Assistants

LILLY HULL

DAVID KANTROWITZ

ROSS McALPINE

BROOKS STONESTREET

Film Roman - General Manager

DANA BOOTON

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IT Support

SAMUEL MASON

The persons in this film are fictitious.

Any similarity to actual persons

or events is unintentional.

THE SIMPSONS EPISODE #TABF02

TWENTIETH CENTURY FOX FILM CORPORATION

Twentieth Century Fox Film Corporation

is the author of this motion picture for

purposes of copyright and other laws.

This motion picture is protected under laws of

the United States and other countries. Unauthorized

duplication, distribution or exhibition may result

in civil liability and criminal prosecution.

The Simpsons and The Simpsons characters

TM Twentieth Century Fox Film Corporation.

N.A.B.

Creative Consultant

MATT GROENING

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Executive Creative Consultant

JAMES L. BROOKS

GRACIE

FILMS

IN ASSOCIATION WITH

20TH

CENTURY

FOX

TELEVISION

English Homework

Final Task

SL ( Source Languange )	TL ( Target Languange )
Homer : D’oh ! ( grunts )	Homer : D’oh ! (suara dengusan )
Homer : (grunts)	Homer : ( suara dengusan )
Barney : (snoring groans)	Barney : ( suara erangan mendengkur )
Sign : Property of Moe’s Tavern	Sign : Properti milik Kedai Moe
Toot : (humming)	Toot : ( sedang giat )
Moe : Well, if ain’t my next door neighbor, King Toot	Moe : Baiklah, jika tidak di sebelah pintu rumah tetanggaku, Raja Toot
Toot : Moe	Toot : Moe
Moe : How many times I got to tell you not to throw your trash in my Dumpster ?	Moe : Berapa kali harus kukatakan padamu untuk tidak membuang sampahmu di tempat sampahku ?
Toot : Oh come on, Szyslak. I got to make space in the store for my new bussiness - a tanning salon that secretly has cameras in the beds, which feeds into my Website www.tancams.com. That is registered	Toot : Oh ayolah, Szyslak. Aku harus membuat ruang di tokoku untuk bisnis baruku- sebuah salon tanning yang secara rahasia memunyai kamera di ranjang, yang menuntunku menuju websiteku www.tancams.com. Itu sudah terdaftar
Moe : Yeah, sounds great. Maybe then you could afford to rent your own dumpster	Moe : Yeah, itu terdengar hebat. Mungkin nanti kau dapat mampu untuk menyewa tempat sampahmu sendiri
Toot : I like my current deal. Free. Of. Charge	Toot : Aku suka dengan ideku saat ini. Bebas. Pada. Berkuasa
Moe : I will eat your hair	Moe : Aku akan memakan rambutmu
Toot : You call that a testicle kick ?	Toot : Kau sebut itu tendangan testis
Wiggum : All right, you two, break it up	Wigum : Baiklah, kalian berdua, hentikan
Toot : Drive on, Ashpalt cowboy, or I will squeeze his brain out like an edamame	Toot : Menyetirlah, koboi aspal, atau aku akan meremas otakmu keluar seperti edamame
Wiggum : eh, uh , a what ?	Wiggum : eh, uh, apa ?
Toot : Those beans you eat before your sushi comes	Toot : Kacang tersebut engkau makan sebelum sushimu datang
Wiggum : oh, salt peas. I call them salt peas	Wiggum : oh, kacang polong garam. Aku memanggil mereka kacang polong garam
Toot : look, officer, after 20 years of being neighbors, tempers sometimes *flare up*. Moe’s good guy	Toot : Begini, pak petugas, setelah 20 tahun hidup bertetangga, emosi terkadang meluap/menyala. Moe adalah orang yang baik
Moe : no, no, no, it’s my fault. *I’m a hot head. I ain’t got no beef with you Toot* ( *whispering ) you better stay out of my dumpster*	Moe : tidak, tidak, tidak, ini salahku. Aku orang yang emosian. Aku tidak akan mendapatkan daging denganmu ( sambil membisik ) lebih baik kau menjauh dari tempat sampahku
Toot : I’ve also being stealing your catalogs out of your mailbox	Toot : Aku juga mencuri katalogmu dari kotak suratmu
Moe : It’s my dumpster	Moe : itu adalah tempat sampahku
Homer : And that’s the terrifying tale of how the Quebec Nordiques became the Colorado Avalanche	Homer : Dan itu adalah kisah menakutkan tentang bagaimana Nordiques Quebec menjadi salju longsor Colorado
Lisa : Oh no ! King Toot’s is closed ! Dad, you’re going to have to take me to the big box music store	Lisa : Oh tidak ! Raja Toot sudah dekat ! Ayah, kau harus mengantarku ke toko kotak music besar
Lisa : Look at all these monstrosities	Lisa : Lihat akan monstrositas ini
Homer : Lisa, how many times have I told you to bow down to our corporate overlords ?	Homer : Lisa, sudah berapa kali kukatakan padamu untuk membungkuk pada kerjasama tuan kita ?
Homer : It’s like some kind of guitar central	Homer : itu seperti semacam gitar pusat
Employee : Midlife crisis at 12 o’clock. Mm...hmm	Employee : Krisis paruh baya pada pukul 12.00. Mm...hmm
Stig : Okay, let me guess, dude. You’re an axman; *you’re looking to score a new blade*	Stig : Baiklah, biar kutebak, kawan. Kau adalah axman; kau sedang ingin mencetak bilah baru
Homer : Stig. (Chuckles) You’ve got a name that’s not a name	Homer : Stig. (terkekeh) kau dapat sebuah nama itu bukanlah nama
Stig : So, what’s your poison, bro? Les Paul? Straight up Gibson? No, no, no, classic Strat, am I right ?	Stig : Jadi, apa racunmu, sobat? Les Paul? Gibson yang lurus ke atas? Tidak, tidak,tidak, Strat klasik, apakah aku benar ?
Homer : Oh, I don’t have what it takes to play guitar. *I mean, I’m no Joe Walsh in the brains department*	Homer : Oh, aku tidak memiliki apa yang diperlukan untuk bermain gitar. Maksudku, aku bukanlah Joe Walsh di apartemen otak
Stig : (chuckles) Who is? Look, you don’t have to weak, womanly fingers of a guitar princess. You, my friend (os) have the muscular stumps of a bass man. (on camera) Try this on	Stig : (terkekeh) Siapa itu? Dengar, kau tidak harus lemah, jari feminim ratu gitar. Kau, temanku (os) memiliki tunggul berotot pada pemain bass. (pada camera) cobalah ini.
Homer : What the rock ?	Homer : apanya yang rock ?
Stig : (chuckles) Now, that was a lick	Stig : (terkekeh) Sekarang, itu adalah sebuah lick
Homer : I did a lick ?	Homer : Aku melakukan sebuah lick ?
Stig : *Keep them coming*	Stig : Biarkan mereka tetap datang/tetap lanjutkan/biarkan saja terjadi
Stig : Yes. Now, *bob your head. (os) Bo it, bob it, bob it*	Stig : Ya. Sekarang, anggukan kepalamu. (os) Anggukan, anggukan, anggukan
Stig : Dude, it usually takes years to learn such neck confidence. Now *check this out*	Stig : Sobat, ini biasanya butuh bertahun-tahun untuk mempelajari kenyamanan leher. Sekarang lihatlah ini
Homer : Oh my God. I’m amazing	Homer : Ya Tuhan. Aku luar biasa
Stig : Dude, you already one of the greatest bass players of *all time*	Stig : Sobat, kau sudah menjadi satu dari pemain bass terhebat sepanjang waktu
Stig : *Okay. Now.... oh, how are you set for state lights?*	Stig : Oke. Sekarang......oh, bagaimana kabarmu dalam mengatur cahaya negara?
Homer : *I’m not set at all*	Homer : Aku tidak mengatur semuanya
Stig : Ooh, what about gels ?	Stig : Ooh, bagaimana dengan gel ?
Homer : This is embarrasing to admit, Stig, but I haven’t even thought about gels.	Homer : Ini memalukan untuk diakui, Stig, namun aku bahkan belum sempat berpikir mengenai gel.
Marge : What is that racket ?!	Marge : Apa raket itu ?!
Homer : Music ! Beautiful music !	Homer : Musik ! Musik yang indah !
Marge : What ?!	Marge : Apa ?!
Homer : Beautiful music, baby	Homer : Musik yang indah, sayang
Marge : The bass guitar ? This dosen’t really seem like you	Marge : Gitar bassnya ? Ini tidak terlihat mirip denganmu
Homer : Sure, it is. You know I’ve always loved laying things down. Grooves are just the latest.	Homer : Tentu saja. Kau tahu, aku selalu senang meletakan segala hal-hal. Alur hanya menjadi sebuah keterlambatan
Marge : (groans)	Marge : (mengerang)
Homer : I feel a powerful connection to the history of famous bass players. Like what’s-his-name from the Who. Or that guy from Led Zeppelin who wasn’t Page, Plant or Bonham. Those are the only two I know *for sure*	Homer : Aku merasakan hubungan yang sangat kuat terhadap sejarah pemain bass terkenal. Seperti siapa namanya dari Siapa. Atau seorang bernama Led Zeppelin yang tidak ada Page, Plant atau Bonham. Hanya mereka berdua yang kutahu secara pasti/tentunya.
Lisa : It’s so cool to have another musician in the family	Liisa : Sungguh keren mempunyai pemusik lainnya dalam keluarga
Homer : Oh, yeah, and you know what the great thing is about music? It’s so easy	Homer : Oh, benarkah, dan kau tahu sesuatu yang hebat mengenai musik? Sungguh mudah
Lisa : Uh, well, the truly master an instrument you’ll need *years of*.....	Lisa : Uh, baiklah, master instrumen sesungguhnya kau butuh bertahun-tahun
Marge : (gasping)	Marge : (terengah)
Homer : (gasps)	Homer : (terengah)
Lisa : Ooh!	Lisa : Ooh!
Marge : (os) I can’t take it. (on camera) All Homer does is play that stupid bass. Doink, doink, doink, doink, doink, doink, doink	Marge : (os) Aku tidak tahan lagi. (pada camera) seluruh penghuni rumah memainkan bass bodoh itu. Terus, terus, terus, terus, terus, terus, terus
Luann : You’re not alone, Marge	Luann : Kau tidak sendiri, Marge
Bernice : A man gets older, has a career, a few kids, and suddenly there’s a hole in his life that can only be filled by jamming. For my Julius, it was drums.	Bernice : Manusia menjadi tua, memiliki karir, beberapa anak, dan tiba-tiba terdapat lubang dalam hidupnya yang hanya bisa diisi dengan perkumpulan. Untuk Juliusku, itu adalah sebuah drum
Helen : Timothy has that awful guitar	Helen : Timothy mempunyai gitar payah itu
Luann : Kirk just loves his keyboard	Luann : Kirk hanya mencintai keyboardnya
Marge : I never knew so many women suffered from extramarital jamming. Oh, my God, oh, my God, oh, my God. What if all the dads jammed together in dad band ?	Marge : Aku tidak pernah tahu banyak sekali wanita yang menderita karena perkumpulan sebelum pernikahan. Ya, Tuhan, ya, Tuhan, ya Tuhan. Bagaimana jika semua ayah berkumpul bersama dalam band ayah.
Helen : That way they would play horrible music in one garage at a time. Marge, you’re a genius	Helen : Dengan itu mereka akan memainkan music mengerikan dalam satu pada suatu waktu. Marge, kau jenius
Bernice : This menu was right-good things do happen at ‘Zers	Bernice : Menu ini adalah hal yang baik dan benar untuk terjadi di ‘Zers
Homer : I don’t know guys. I’m not sure I’m feelings this. This bass is *kind of* known for being a solo instrument.	Homer : Aku tidak yakin, teman-teman. Aku tidak yakin aku merasakannya. Bass ini semacam diketahui untuk menjadi instrumen solo
Kirk : What were our wives thinking? We probably don’t even like the same tunes	Kirk : Apa yang istri kita pikirkan? Kemungkinan kita bahkan tidak menyukai musik yang sama
Hibert : On the count three, everyone say their favorite kind of music. One, two, three	Hibert : Dalam hitungan ke tiga, semua mengatakan musik favorit mereka. Satu, dua, tiga
Hibert : Dads, let’s jam!	Hibert : Ayah, mari beraksi!
Kirk : Garage band rule!	Kirk : Band garasi berkuasa!
Homer : (gasps) I almost forgot the most important thing.	Homer : (terengah) aku hampir lupa hal yang paling penting
Homer : Great practice, guys. What do you say we *give it* another six hours, then *call it a day*?	Homer : Latihan yang bagus, teman-teman. Bagaimana pendapatmu jika kita latihan kembali untuk enam jam berikutnya, lalu kita selesai?
Apu : Excuse me, my wife told me about your get-out-of-the-house-band. And uh, perhaps you need a singer?	Apu : Permisi, istriku bilang kepadaku mengenai keluar dari band rumah mu. Dan, uh, mungkin kau membutuhkan seorang penyanyi?
Homer : Oh, yeah, Apu, I’m sure you’re a great singer. But the balance of the band is really delicate right now and we’re not really looking for world music vibe. No disrespect to world music. I love world music.	Homer :Oh, yeah, Apu, aku yakin kau adalah penyani hebat. Tapi keseimbangan band sangat mulus sekarang ini, dan kita tidak terlalu ingin getaran musik dunia. Bukannya tidak menghormati musik dunia. Aku cinta musik dunia
Apu : No, no, no, I will sing the classic powerballad “Hopin’for a dream” by my favorite band from the 1980’s, sungiser	Apu : Tidak, tidak, tidak, aku akan menyanyikan kekuatan balada klasik “Berharap’ untuk Mimpi” oleh band favoritku sungiser, di tahun 1980-an
Apu : ( clears throat) Okay here we go. When I close my eyes, I wish that I could fantasize, pull a dream right out of the air. Take a chance, turn it into a prayer	Apu : (tenggorokan bersih) Baiklah kita mulai. Saat aku memejamkan mataku, aku berharap dapat berfantasi, menarik mimpi dari udara. Mengambil kesempatan, mengubahnya menjadi doa.
Homer : That sounds *nothing like terrible*, terrible world music	Homer : itu tidak buruk sama sekali seperti mengerikan, musik dunia yang mengerikan
Hibbert : Why is your voice so different when you sing?	Hibbert : mengapa suaramu sangat berbeda saat kau bernyanyi
Apu : *It is because of all years I spent at the Kwik-E-Mart*	Apu : ini karena selama bertahun-tahun aku menghabiskan waktuku di Kwik-E-Mart
Apu : where classic rock anthem were *piped in* on a never ending loop. *The endless repetition drove many clerks to madness*	Apu : dimana musik rok klasik tersalurkan/tergabung di dalam suatu putaran yang tidak akan pernah berakhir. Repetisi yang tak berujung mengantar pramuniaga menuju kegilaan
Apu : the only way to maintain my sanity was to sing along until it seemed like our voices were one.	Apu : satu-satunya cara untuk mempertahankan kewarasanku adalah menyani bersama sampai terlihat bahwa suara kita bersatu
Homer : guys, are you feeling this? Are you feeling this?	Homer : teman-teman, apakah kalian merasakan ini? Apakah kalian merasakan ini?
Kirk : I’m feeling it	Kirk : aku merasakannya
Hebbert : I’m definitely feeling it	Hebbert : aku sangat merasakannya
Lovejoy : I feel something earlier, but I was afraid to *bring it up*	Lovejoy : aku merasakan sesuatu yang lebih awal, namun aku khawatir untuk mengungkapkannya
Apu : I think we all felt something	Apu : aku rasa kita semua merasakan sesuatu
Homer : we are more than just a garage band desperate to do anything other than *hang out* with our families. We are now a cover band. And we shall be called...Covercraft. Because we play covers and this is our craft	Homer : kita semua lebih dari sekedar band garasi yang putus asa yang melakukan apa saja yang lain daripada berkumpul bersama keluarga kita. Sekarang kita adalah band penutup. Dan seharusnya kita kita dipanggil kerajinan penutup. Karena kita memainkan penutup dan ini adalah kerajinan kami
Hibbert : and it sounds like hovercraft	Hibbert : dan ini terdengar seperti penutup yang melayang-layang
Homer : that wasn’t my intent. Okay Covercraft, *hands in*. Cover	Homer : itu bukanlah niatku. Baiklah, penutup kerajinan, tangan merapat/bersatu. Penutup

Homer : okay, this crowd is about experience the special magic of the cover band, the thrill of live music without the fear of hearing anything new. Hmm?	Homer : baiklah, kerumunan ini mengenai kejadian spesial band penutup, sensasi musik yang hidup tanpa rasa takut mendengar sesuatu yang baru. Hmm?
Apu : (sighs)	Apu : (mendesah)
Homer : Apu, what’s wrong ?	Homer : Apu, ada apa?
Apu : what if, what if I’m no good? This is the cabbage festival,man. I-I don’t know *if I can’t face that crowd*	Apu : bagaimana jika, bagaimana jika aku tidak bagus? Ini adalah festival kubis, bung. A- aku tidak tahu jika aku tidak dapat menghadapi kerumunan itu.
Homer : (groans) buddy, buddy. Think of it this way. You’re not singing in the front of all those people, you’re alone at the Kwik-E-Mart in the middle of the night. You just wear this onstage, and everything will be fine	Homer : (mengerang) kawan, kawan. Pikirkan jalan ini. Kau tidak bernyanyi di depan orang-orang tersebut, kau sendiri di Kwik-E-Mart di tengah malam. Kau hanya mengenakan pakaian panggung ini dan semuanya akan baik-baik saja
Apu : (gasps) my uniform	Apu : (terengah) seragamku

Bart : everyone loves you, Dad		Bart : semua orang mencintaimu, yah
Homer : well, son, I do have a talent. My mind is full of ideas for great songs *I could write down the names of and then cover*. But then I remember. I’m just a regular guy, jamming with my buds		Homer : begini, nak, aku memang mempunyai talenta. Pikiranku penuh dengan ide untuk lagu hebat yang dapat aku tulis dan lalu merilisnya. Namun, lalu aku berpikir. Aku hanyalah manusia biasa, yang berkumpul bersama teman-temanku
Marge : oh, sweetie. This band has *brought* *out* the best in you		Marge : oh, sayang. Band ini telah membawa telah membawa kebaikan dalammu
Lisa : yeah, you really *get that* it’s all about music.		Lisa : yeah, kau sungguh mengerti bahwa ini semua mengenai musik
Homer : yep, it’s all about the music. And it would take a preety unforeseen development to change that. Pretty unforeseen		Homer : yep, ini semua tentang musik. Dan ini akan memerlukan pengembangan indah yang terduga untuk mengubahnya. Tak terduga indahnya
Man : gentlemen, I think we’ve found what we’re looking for.		Man : tuan-tuan, kurasa kita telah menemukan apa yang kita cari
Homer : guys, I really need your honesty here. At the squidport senior jamboree.. *was I too in the pocket?*		Homer : teman-teman, aku sungguh butuh kejujuran kalian di sini. Di senior jamboree squidport....apakah aku juga dalam kantong/ termasuk di dalamnya?
Kirk : freedy freeman, shredder steven,s, nick delacourt and peter d’abbruzio – you’re four of the five guys from sungazer		Kirk : freedy freeman, shredder steven,s, nick delacourt and peter d’abbruzio—kalian berempat dari 5 orang dalam sungizer
Hebbert : but where your lead singer, Grant LeDavid?		Hebbert : tapi dimana penyanyi kalian, Grant LeDavid?
Nick : uh, he *passed away*		Nick : uh, dia sudah meninggal dunia
Homer : how?		Homer : bagaimana?
Nick : (whispering)		Nick : (membisik)
Homer : what kind of erotic asphyxiation?		Homer : apa semacam sesak napas?
Nick : (whispering)		Nick : (membisik)
Homer : oh		Homer : oh
Peter : Apu, you’re the only man on the entire internet who’s got the pure sungiser sound. Will you be our new lead singer and join us on our stadium tour?		Peter : Apu, kau satu-satunya orang di seluruh internet yang mempunyai suara sungiser murni. Maukah kau mau menjadi penyanyi baru kami dan bergabung dalam stadium tur kami?
Homer : I think I can answer for Apu. He’s flattered, but the small time success covercraft is all that any of us have ever wanted		Homer : kurasa aku akan menjawab untuk Apu. Dia tersanjung, namun kesuksesan covercraft yang sebentar adalah semua yang kami pernah dambakan.
Apu : uh, actually I....		Apu : uh, sebenarnya aku.....
Homer : Apu has a rich life here in Springfield: a store full of great products, a lovely him type-wife, and eight super kids: Anoop, Sandeep, Nabendu, Gheet, Pria, Uma, Poonam, Sashi		Homer : Apu memiliki kekayaan dalam hidupnya di sini, di Spingfield: sebuah toko yang penuh dengan produk hebat, istrinya yang tercinta, dan kedelapan anaknya super: Anoop, Sandeep, Nabendu, Gheet, Pria, Uma, Poonam, Sashi
Apu : shut your mouth ! I want to do it! I want to do it! I want to be a singer for real rock band		Apu : tutup mulutmu! Aku ingin melakukannya! Aku ingin melakukannya! Aku ingin menjadi penyanyi untuk band rock sungguhan
Kirk : gotta say, I’m kind of jealous of Apu *getting a break like that*		Kirk : harus kukatakan, aku sedikit iri dengan apa yang Apu dapatkan seperti itu/ semacam jeda yang Apu dapatkan
Kirk : not me! I’m *nothing but happy* that our friend is headed for fame and fortune		Kirk : bukan aku! Aku tidak lebih dari bahagia bahwa/tidak apa-apa namun teman kita akhirnya menginginkan ketenaran dan keuntungan.
Apu : tonight we play las Vegas and the theme of the casino is circus! Circus! Ha!		Apu : malam ini kita memainkan las Vegas dan tema casino adalah sirkus! Sirkus! Ha!
Homer : (whimpers) I want his fame and fortune so much! Why must the lord or rock be so cruel?		Homer : (merintih) aku sangat menginginkan ketenarannya! Mengapa Dewa Rock menjadi kejam?
Homer : samy hagar! You’re not dead		Homer : samy hagar! Kau tidak mati
Sammy : damn it! I told you those jalapeno poppers had too much breading		Sammy : sial! Kukatakan padamu popper jalapeno itu memiliki breading yang sangat banyak
Waiter : sorry, senor hagar		Waiter : maaf, senor hagar
Sammy : nah,nah,nah, it’s cool, man. *I went to rock star heaven.* And there was this great back patio with this street fire pit. If you had the right wristband—which I did (laughs)		Sammy : nah,nah,nah, itu keren,bung. Aku pergi menuju/menjadi bintang rock surga. Dan terdapat teras belakang yang besar dengan dengan lubang api yang indah. Jika kau memiliki wristband yang tepat—yang mana aku lakukan(tertawa)
	Kent : news story aisle there? Local clerk, Apu Nahasapeemapetilon, is a dead ringer for a dead singer	Kent : cerita lorong baru ada disana? Pramuniaga lokal Apu Nahasapeemation, adalah dering yang mati untuk penyanyi yang mati
	Kent : he’s living rock star dream as front man for 80’s chart-toppers sungazer on their last hell re-freezes over ultimate goodbye for serious this time never again part two of question mark tour	Kent : dia menghidupkan bintang rock sebagai orang depan grafik puncak sungazer di tahun 80-an dalam perpisahan beku mereka untuk bagian kedua pertanyaan tur mark serius kali ini tidak akan pernah lagi
	Kent : Apu and the band appeared on Saturday night live as the punch line in a game show sketch	Kent : Apu dan band muncul di acara Malam Sabtu sebagai garis pukul dalam pertunjukan sketsa permainan
	Bart : what’s a game show?	Bart : apa pertunjukan permainannya?
	Homer : *something you make sketches about*	Homer : sesuatu yang telah kau buat sketsanya/sesuatu yang telah kau buat sehingga menjadi sketsa
	Kent : it looks like Apu won’t playing the cabbage festival ever again.	Kent : kelihatannya Apu tidak bermain festival kubis lagi
	Lisa : dad, you shouldn’t be jealous of Apu. Remember it’s all about the music	Lisa : ayah, seharusnya kau tidak cemburu dengan Apu. Ingat, ini semua tentang musik
	Homer : I’m not jealous. I’m envious. Jealousy is when you worry when someone will take what you have. Envy is wanting what someone else has. What I feel is envy.	Homer : aku tidak cemburu. Aku iri. Cemburu saat kau khawatir seseorang akan mengambil apa yang kau punya. Iri adalah menginginkan apa yang orang lain punya. Apa yang kurasa adalah Iri.
	Lisa : hmm.. wow he’s right	Lisa : hmm...wow dia benar
	Homer : you know what? Apu leaving is the best thing that ever happened to this band. We’re gonna be like genesis after peter gabriel left.	Homer : tahukah kamu? Kepergian Apu adalah hal terbaik yang pernah terjadi pada band ini. Kita akan menjadi Kejadian setelah Peter Gabriel pergi
	Bart : you mean more popular but *not as good* ?	Bart : maksudmu lebih populer namun tidak sama bagusnya?
	Homer : phil collins-era genesis is *not as* *good*, huh? “no reply at all”, “land of confusion”, “throwing it all away”,”illegal alien”,”I can’t dance”, and I’m sure I don’t need to mention “invisible touch”	Homer : Phil Collins- Kejadian era tidak sama bagusnya, huh? “tidak ada balasan sama sekali”,”tanah kebingungan”,”buang itu semua jauh-jauh”, “aku tidak bisa berdansa”, dan aku yakin aku tidak perlu melihat “sentuhan yang tak terlihat”
	Hibbert : you know, we really could use a new lead singer	Hibbert : kau tahu, kita sungguh dapat memakai penyanyi baru
	Kirk : you know, I’ve been known to *sing a little*	Kirk : kau tahu, aku sudah dikenal untuk bernyanyi sedikit
	Homer : what? So you can also get famous and *bail of* us? You’re out of the band	Homer : apa? Jadi kau juga dapat terkenal juga dan menjamin kita? Kau keluar dari band!
	Lovejoy : well, you can’t just *kick him out*	Lovejoy : begini, kau tidak bisa mengusirnya
	Homer : oh, so you’re sticking up for Yoko here? Looks like I’ve got another Yoko on my hands	Homer : oh, jadi kau mencuat sebagai Yoko di sini? Sepertinya aku mempunyai Yoko lainnya di tanganku
	Hibbert : how can there be two Yokos?	Hibbert : bagaimana bisa menjadi dua Yoko?
	Marge : are you okay?	Marge : apakah kau baik-baik saja?
	Homer : do I look okay?	Homer : apakah aku terlihat baik-baik saja?
	Marge : you sound great! Your licks are really juicy	Marge : kau terdengar hebat! Jilatanmu sungguh berair
	Homer : they’re not juicy. My licks are dry. Dry and scratchy like a cat’s tongue	Homer : mereka tidak berair. Jilatanku kering. Kering dan gatal seperti lidah kucing
	Marge : you didn’t join a band to become famous like in Almost famous. You loved playing music with your friends. That was enough to make you happy	Marge : kau tidak bergabung dengan band untuk terkenal seperti dalam Hampir Terkenal. Kau cinta bermain musik bersama teman-temanmu. Itu cukup membuatmu bahagia.
	Homer : well, it’s not enough anymore. When something great happens to one person, everyone else’ s life gets a little worse. *Look it up*, it’s called physics	Homer : begini, itu tidak cukup lagi. Saat sesuatu yang hebat terjadi pada satu orang, seluruh hidup orang lain akan menjadi sedikit buruk. Lihatlah, ini disebut fisik
	Marge : Apu is a good man. He *sent over* front row tickets and backstages *passes to* his show at the costington center	Marge : Apu adalah orang yang baik. Dia dikirim dari barisan tiket depan dan belakang panggung menuju/lolos ke/melewati pertunjukannya di pusat constington
	Homer : oh, you mean he generously invited us to come watch him be a rock star?	Homer : oh, maksudmu dia secara umum mengundang kita untuk melihatnya menjadi bintang rock ?
	Marge : stop feeling sorry for yourself. Yourfriend had a wonderful thing happen to him and you are coming with us to share in his talent	Marge : berhenti menyesal pada drimu sendiri. Temanmu mempunyai hal yang luar biasa dalam dirinya dan kau ikut dengan kami untuk berbagi dalam talentanya
	Homer : *I’ll never have a per diem*	Homer : aku takkan memiliki belanja harian/uang harian/gaji
	Marge : *you don’t know what per diem is*	Marge : kau bahkan tak tahun apa itu belanja harian/uang harian/gaji
	Homer : still want one	Homer : tetap menginginkan satu
	Homer : Hmph. Hmph. Hmph. Apu wouldn't be able to sing a note if I didn't help him *get over* his stage fright with his Kwik-E-Mart shirt. (gasps) Backstage pass, you just became a *payback rage pass*.	Homer : hmf, hmf, hmf. Apu takkan mampu menyanyikan not jika aku tak membantunya menangani di panggung dengan pakaian Kwik-E-Martnya. (terengah) lewat panggung, kau hanya menjadi pembalasan amarah yang sukses
	Homer : *Look at* all this rock star dressing room stuff. What a *sellout*. Cheese plate… oh, sorry, cubed cheese plate. Lemon tea, probably for his throat.	Homer : lihatlah semua bintang rock ini yang berpakaian barang kamar. Sungguh terjual habis. Piring keju....oh, piring potongan dadu keju. Teh lemon, kemungkinan untuk tenggorokannya
	Homer : Mm-hmm! Let's see how he performs in front of all those people without his magic-people-performing-in-front-of shirt.	Homer : mm-hmm! Mari lihat bagaimana dia tampil di depan orang-orang itu tanpa keajaiban tampilan orang-orang di depan kaos
	Homer : (gasps)	Homer : (terengah)
	Apu : But, Mr. Shredder, you promised me after we played my hometown I could *have a day off*.	Apu : tapi, Tuan Shredder, kau berjanji padamu setelah kita bermain kampung halamanku aku dapat hari libur/dapat santai/berlibur/mempunyai hari tenang
	Shredder Steven: *I also promised I'd kick heroin. Hmm?*	Shredder Steven: aku juga berjanji untuk berhenti memakai heroin. Hmm?
	Apu : *But the tour is so hard on my family. My octuplets are being raised by roadies and bodyguards. (os) This is not proper.*	Apu : tapi tur sangat sulit untuk keluargaku. Oktuplesku sedang naik/diangkat oleh roadies dan pengawal. Ini tidak tepat
	Peter : Look, Apu. For 25 years we wasted money on women, drugs and guitars with live fish inside. *And now we want to keep it going.*	Peter : lihat, Apu. Selama 25 tahun kita membuang uang untuk wanita, narkoba, dan gitar dengan ikan hidup didalam. Dan sekarang kita tetap ingin melanjutkannya
	Freddy : You signed a contract for a three-year, 57-country tour at union scale— *no per diem.*	Freddy : kau menandatangani kontrak selama tiga tahun, 57 tur negara dalam skala serikat. Tanpa belanja harian/uang harian/gaji
	Homer : (gasps softly)	Homer : (terengah dengan lambat)
	Freddy : you’re in the band	Freddy : kau di dalam band
	Apu : Oh, well, I guess it's show time. (gasps) Homer?	Apu : oh, baiklah, waktunya pertunjukan. (terengah)Homer?
	Homer : I’m sorry, Apu. *I thought you* *were living your dream life, so naturally I wanted to ruin it. But now I know things stink, so I'm okay with it*.	Homer : aku minta maaf Apu. Aku kira kau hidup dalam mewujudkan mimpimu , jadi secara alami aku ingin mengacaukannya. Tapi sekarang aku tahu hal berubah, jadi aku tidak masalah dengan itu
	Apu : Oh, what is the point? I am trapped like a Kwik-E-Mart hot dog on a roller.	Apu : oh, apa intinya? Aku terjebak seperti hot dog Kwik-E-Mart dalam rol
	Homer : Kwik-E-Mart hot dog, eh?	Homer : Hot Dog Kwik-E-Mart, eh?
	Man : You want every hot dog in the store? Every one? Okay…	Man : kau mau semua hot dog di toko? Semua orang? baiklah
	Sungazer : Yeah! Yeah. Oh! Yeah!	Sungazer : yeah! Yeah! Oh! Yeah
	Forum Announcer : Ladies and gentlemen, Tucks Medicated Pads presents… Sungazer!	Forum Announcer : para hadirin Tucks Medicated Pads mempersembahkan.....Sungazer!
	Crowd : yeah.. all right	Crowd : yeah... baiklah
	Apu : Uh, people? I am sorry to report that all the original members of the band *have been struck down* by a mysterious case of hot dog poisoning.	Apu : uh, hadirin? Aku minta maaf untuk melaporkan bhwa seluruh anggota band asli sedang terkena/TERTIMPA kasus misterius mengenai keracunan hot dog
	Apu : Rather than refund your money or reschedule the show, we have a surprise for you. *Get ready* to rock with a group that is truly all about the music-- Covercraft!	Apu : dibandingkan dengan mengumpulkan dana kembali atau menata ulang jadwal, kita punya kejutan untuk kalian. Bersiaplah untuk nge-rock dengan grup yang sesungguhnya mengenai musik—Covercraft
	Sammy : So there I am, on Easter Island, and the heads ask me to play them a song. I say, "Why me, heads? You've heard the music of the universe itself.” And they say, “Sammy, your stuff rocks just a little harder.” That's when I wake up. I'm in the Springfield Elementary parking lot, doing a buck fifty-five in my Ferrari 512 Boxer. I was cornering so hard, I blacked out from the Gs, man. They say I ran over the groundskeeper. Probably get life in prison. But I got a plan to escape, using only this harmonica and some guitar picks with my face on ‘em. *Who's with me on this?* (laughing)	Sammy : jadi, disitulah aku, di Pulau Paskah dan heads memintaku tuk memainkan musik mereka. Dan aku bertanya,” mengapa aku? Kau telah mendengar musik semesta itu sendiri.” Dan mereka berkata,”Sammy, barang-barang rockmu sedikit lebih keras.” Itu saat ku terbangun. Aku berada di parkiran dasar Springfield yang penuh. Aku sedang cemas berat, aku pingsan dari Gs, bung. Lalu aku berlari menuju penjaga. Kemungkinan hidup di penjara. Tapi aku punya rencana untuk kabur, menggunakan satu-satunya harmonika ini dan beberapa angkut gitar dengan wajahku terhadap mereka. Siapa yang setuju denganku akan ini/siapa yang turut bersama aku akan ini? (tertawa)